The Application of Hasya Rasa in Shakespeare’s “My Mistress’ Eyes are Nothing Like the Sun” and Marvell’s “To His Coy Mistress”

Authors

  • Mahendra Kumar Budhathoki Bishwa Bhasha Campus, TU, Kathmandu, Nepal

DOI:

https://doi.org/10.3126/ojes.v11i0.36361

Keywords:

Rasa, hasya rasa, sthayibhava, vibhava, anubhava, vyabhicharibhava

Abstract

Literature like poetry has aesthetic value along with social value. The expression of emotion is the power of literature that enthralls readers; readers enjoy texts experiencing rasa. This paper aims to analyze Shakespeare’s “My Mistress’ Eyes are Nothing Like the Sun” and Marvell’s “To His Coy Mistress” from the perspective of the rasa theory, i.e. an Eastern aesthetic theory. The poems randomly selected expose hasya rasa experience. The poets exploit hasya rasa to disseminate and propagate pleasure as well idea, thought, like erotic love, frivolous; the experience of hasya rasa is a uniqueness that enthralls readers to read the poems again. The expression and realization of rasa constitute the aesthetic value and power of the poems. The poems selected here demonstrate that the formal and serious poems can be amusing, chucklesome. Although the realization level of hasya rasa may vary from individual to individual as their academic, professional, social status, and age, there is hasya rasa experience in the poems.

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Author Biography

Mahendra Kumar Budhathoki, Bishwa Bhasha Campus, TU, Kathmandu, Nepal

Department of English

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Published

2020-07-01

How to Cite

Budhathoki, M. K. (2020). The Application of Hasya Rasa in Shakespeare’s “My Mistress’ Eyes are Nothing Like the Sun” and Marvell’s “To His Coy Mistress”. The Outlook: Journal of English Studies, 11, 67–76. https://doi.org/10.3126/ojes.v11i0.36361

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Section

Research Articles