Vol. 3 No. 1 (2021)

Articles

• The Role of Visual Effects: An E-Commerce Perspective on the Nigerian Arts and Crafts

  Afeez Babatunde Siyanbola, Michael Abiodun Oyinloye, Johnson O. Oladesu, Adedola Olayinka Adeyemi

  1-9

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• Visual Rhythm in Krishna Prakash Shah's Abstract Paintings

  Yam Prasad Sharma

  10-17

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• Redefining the Society in Hip-Hop Music: A Nepali Perspective

  Aarati Regmi

  18-25

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• Performing Arts and BarkaNaach of Dangaura Tharus as Folk Drama

  Megh Prasad Kharel

  26-33

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• Social Change and Modernity: Identity Crisis of the Bonda Tribe in Pratibha Ray’s The Primal Land

  S. Chitra, Sangay Tenzin

  34-46

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• Representation of Ethnic Women in Upendra Subba's Lāto Pahāda [Dumb Hill]

  Indira Acharya Mishra

  47-63

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• Repercussions of Stereotyping and Cultural Bigotry in John Updike’s 9/11 Fiction

  Saleem Dhobi

  64-73

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• Magic Realism as Rewriting Postcolonial Identity: A Study of Rushdie’s Midnight’s Children

  Khum Prasad Sharma

  74-82

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• Genetic Engineering, Globalization and the Future of Ecology: An Ecocritical Study of Margaret Atwood’s The Year of the Flood

  Dipak Kaphle

  83-93

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• Anthropocentric Hubris and Ecological Reversal in J.G. Ballard’s The Drought

  Rebati Adhikari

  94-102

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• Super-Cripple Sights: Disable Heroes in Raymond Carver's Cathedral and Sophocles' Oedipus Rex

  Dipak Lungeli

  103-112

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