Vol. 7 No. 2 (2025)

Cover SJAH

Published: 2025-08-19

Articles

Mythic Resonance in the Modern Spectacle: Reimagining the Hero’s Awakening in Aladdin (2019)

Pabitra Raj Baral

1-15
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Women’s Embodiment and Performance of Masculinity in Nepali Short Stories

Bal Bahadur Thapa

16-26
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Subversion of Heteronormativity in Jeanette Winterson’s Oranges Are Not the Only Fruit

Purna Chandra Bhusal

27-38
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Layers of Class Distinction in Annie Ernaux’s A Woman’s Story: A Bourdieusian Analysis

Alina Dhakal

39-50
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Memory and Identity in Crisis: A Comparative Study of Rakesfall and The Memory Police

Khum Prasad Sharma

51-59
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Critiquing Metanarratives through Historiographic Metafiction in Graham Swift’s Last Orders

Ananta Khanal

60-69
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The Duality of Shakuni: Trauma, Manipulation and Moral Conflict in the Mahabharata

Anushka Karki, Sushil Paudel

70-81
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Transnational Nepalis’ Pursuit of the American Dream in Sirjana Sharma’s Golden Gate

Maheswor Paudel

82-92
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Ethics in Extremis: Stoic Philosophy and the Theatre of Blood in Seneca’s Thyestes

Motikala Subba Dewan

93-104
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Symbolic Use of Fruit Images in John Webster’s the Duchess of Malfi

Shiva Raj Pant

105-112
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Heroic Epic Aesthetics in Wale Ogunyemi’s Langbodo: Towards an Ethical Approach

Afolabi John Adebayo, Oluwafemi Alabi

113-124
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Intersectional Storytelling: Trauma, Resistance, and Healing in Maya Angelou's I Know Why the Caged Bird Sings

Rajendra Neupane, Pimala Neupane

125-133
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Miscellaneous

Facts & Figures [Vol. 7, No. 2. August 2025]

Editorial Team

134-135
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